Monday, August 26, 2013

Parties, Booze, Butts, and an Earthquake: Aftershock Review (2012)



Aftershock (2012)

Starring: Eli Roth, Ariel Levy, Nicolas Martinez

Writers: Guillermo Amoedo, Nicolas Lopez, Eli Roth

Director: Nicolas Lopez


Story:
A group of travelers are partying it up in a Chilean nightclub when an earthquake hits. The survivors make it out of the now devastated club and onto the streets, where they are met with death, destruction, crime, and the warning of a tsunami.


Review: 
I love when a movie can shift gears within seconds, changing from a 'party your ass off' good time, to some heated bickering, to BAM! Fucking earthquake, shattering any good or bad moment that took place beforehand. Aftershock does this around the 30 minute mark. Up until that point, it just came off like a “let’s get wasted and laid” type of flick, which I would have been cool with. But once a massive earthquake ravages Chile while are main characters are getting plastered in an underground nightclub, there is absolutely no more semblance of a good time whatsoever. Matter of fact, it’s downright nasty for the remainder.


I wouldn't call Aftershock an all-out horror movie, or even a full on disaster movie. Most of the time is spent on demonstrating how completely primitive man would or could act in the aftermath of a cataclysmic event. If trying to escape a city in total shambles isn't bad enough, the movie adds the worry of escaped prisoners into the mix. There’s crime, rape, and murder going on everywhere, mixed with death from the actual event around every corner. The movie rarely shies away from any of the awfulness, either. When all is said and done, the earthquake and impending threat of a tsunami is actually the least of our characters’ worries.  


The movie is filled with some pretty deplorable characters. It’s hard to judge how I would operate after a tragedy such is what’s handed to the people in Aftershock, but I’d like to think I’d have more morality left within me than what some of these fuckers have. Performances are actually pretty on point from everyone. I felt like the two standouts were Eli Roth as Gringo and Andrea Osvart as Monica. I've personally always liked Roth in front of the camera, from Cabin Fever, to Inglourious Basterds, to this, which I think is his best performance yet. Nicolas Martinez is solid as Pollo, as well. Not a very likable character at the core, but pretty damn funny, and not as cold as he initially comes off as.


As far as SFX go, Aftershock isn't stingy with the gore and most of it is fairly realistic. There’s a lot of nasty shit thrown across the screen once or characters make it of the club and into the city streets. Hell, even in the club there’s some sick mega fuck shit going on. When it comes to visual FX, they’re basically what you’d expect from a low budgeter. Not very convincing, but thankfully the lot of them aren't focused on long enough to take you out of the experience.


Final Word:  
Overall, I thought Aftershock was a pretty badass little flick. The first act has some truly funny stuff going on, and it made it really easy for me to dig on some of the characters. This made the introduction of the earthquake that much more impactful. It begins with a bit of charm, and I’d almost forgotten what I was ultimately in for. There’s a lot of mixed feelings circling around on the net about this movie, which is pretty much the case with everything anymore, but especially when Eli Roth’s name is attached. I've always liked the guy, liked his films, and dug his roles, as well. Aftershock -which he also co-wrote- serves as no exception.


Savor these kinds of shots while you can, because once they're gone, they're really gone.


Also, Eli Roth is hot. Just sayin'.


-Brobocop Entering Sleep Mode