Monday, October 14, 2013

Never pick one up: A review of The Hitch-Hiker (1953)



The Hitch-Hiker (1953)

Starring: Edmond O'Brien, Frank Lovejoy, William Talman

Writers: Collier Young, Ida Lupino, Robert L. Joseph, Daniel Mainwaring (uncredited)

Director: Ida Lupino



Synopsis:
Inspired by the true-life murder spree of Billy Cook, The Hitch-Hiker is the tension-laden saga of two men on a camping trip who are held captive by a homicidal drifter. He forces them, at gunpoint, to embark on a grim joyride across the Mexican desert.


Review:
A couple of cool little tidbits for this film- 

  • Ida Lupino was the first lady to ever direct a film noir. Because of this, it was deemed culturally significant and in 1988 was selected for preservation in the library of congress.
  • Independently produced, which allowed for it to be a bit more extreme than mainstream standards.

And wow, what a movie it is. Roughly 71 minutes of straight up awesome.


The visual aspect of The Hitch-Hiker is nothing short of gorgeous. The beginning adds some mystery up into the mix. For the entire opener we see nothing but his feet; walking away from crime scenes, stepping into cars, rinse and repeat. For a good bit I thought the film would remain this way. Even when Emmett Myers steps into the backseat of a vehicle with the two leads, his face is cast in shadows. Once his motivations become apparent, so does his appearance. This was probably done for shock value, as the character is a fairly unfortunate looking man. There's some cool camera techniques, as well- driving point-of-view, over the shoulder view from the backseat looking up to the driver and passenger, hood shots aiming into the vehicle, awesome elevating segments over large hilly roads, and more.


Probably more than 95% of The Hitch-Hiker is spent with three characters- two fishing buddies, Roy Collins and Gilbert Bowen, and Emmett Myers, the psychopath on a killing spree. Roy and Gilbert make the mistake of picking Emmett up on a desolate highway, and that's when their trip takes a turn for the worse. The ways in which the maniac taunts the men is completely brutal. He tries to break them down to nothing, assuring them that their fate is not a positive one. After he learns that Gilbert is good with a gun, Emmett forces him to shoot empty cans out Roy's hand from afar. When they stop to rest in the night, he makes sure they notice one of his eyes is partially impaired, and that the eyelid never fully closes. So planning an escape proves to be worthless since the men can't ever tell if the madman is asleep. Emmett's games go on and on, building tension and hopelessness for Roy and Gilbert throughout.


The performances from all three men are on point, but especially from William Talman, as homicidal psychopath, Emmett Myers. Talman really personifies the idea that Myers is totally void of sympathy. He smiles when the men are breaking down, and takes pleasure once he learns police have not a clue of his whereabouts. Great performance. Roy and Gilbert are played by Edmond O'Brien and Frank Lovejoy, respectively. Roy is the one more hellbent on planning an escape, while Gilbert is prepared to do what Emmett says in hopes of avoiding sudden death. O'Brien is particularly good later in the film, during a moment of emotional collapse after unsuccessfully trying to get the attention on a plane flying overhead. At that point, I could imagine myself reacting the same way. Lovejoy accompanies O'Brien's performance well, making Gilbert's attempt at consoling Roy quite believable.


Final Word:
Maybe it won't be as suspenseful for some by today's standards, but I honestly wasn't quite sure what the fate of the leads would be. Aside from that, the performances are great and the setting is grand to look at. The Hitch-Hiker is 71 minutes well spent, as far as I'm concerned. One hell of a road movie. 


Blu-ray:
Kino Classics Library of Congress release of The Hitch-Hiker comes presented in 1080p (1.33:1) with a 2 channel audio track. This is my first time ever seeing the movie, but for what it's worth, it looks fantastic in terms of picture quality. Crystal clear for a film from 1953. 


Special Features


Mastered in HD from archival 35mm elements preserved by the Library of Congress


Image Gallery - Contains posters, lobby cards, and black & white publicity stills


Also included are movie trailers for White Zombie, The Stranger, and Night Tide.


This release hits Blu-ray on October 15th, 2013 and can be ordered HERE and HERE.


- Eric (Brobocop)