Sunday, December 9, 2012

Silent Night (2012)



Silent Night (2012)

Starring: Jaime King, Malcolm McDowell, Donal Logue

Writer: Jayson Rothwell

Director: Steven C. Miller




The Story:

Some dude with a plastic mask and Santa suit goes on a killing spree in a remote little town. Due to a Christmas parade, the streets are oozing with many other red jolly bastards, making it fairly difficult for local authorities to capture their perp.

Review:

I was just talking with some friends the other day about how I absolutely love a Christmas setting in a horror film. It's a brilliant accompaniment. The original Silent Night, Deadly Night is a great example. It's a mean spirited, sleazy ride of a film that takes an unapologetic blood dump on all things jolly about the holiday. Sure, some of the joy taken from it lies within its unintentional hilarity, but for the most part, SNDN is pretty damn brutal. And the atmosphere is something I don't think can be replicated in the same setting. Hell, SNDN II couldn't bring the same spirit even by using a T-Rex sized shit of footage from its predecessor (though, SNDN II is a completely different level of awesome). There's other great Christmas horror films, and even Christmas slashers, but I just kinda think SNDN is its own beast. All that being said...

I've never been one to shit my britches over a film getting the remake treatment, not even if it's a remake of something I adore. I have plenty of other things to bitch about. More importantly, I surely don't piss upon the announcement of a remake, or when a trailer for one drops. I'll say whether it peaks my interest or not, but that's about it. Now, if I see one and end up thinking it sucks, then surely there will be some spewed hatred. But even then I try to base my opinions on the film itself, and not how it measures up as a remake. Anyway...

I remember when I first read the news of Silent Night, Deadly Night being remade. It popped up in my Facebook news feed, courtesy of Shock Till You Drop. There was honestly a fairly diverse mix of excitement and nausea in the thread. I decided to take the funny guy approach by saying “Well, if it sucks, I know where it's going... come garbage day!” You can bet I felt pretty damn witty with that remark. Well, who comes along and clicks their “like” button on that comment? Director, Steven C. Miller, himself. Afterward, I felt shitty and witty at the same time- SHWITTY. Either way, I'm pretty sure Miller took it as a joke, and that's exactly what it was. I was for sure anxious to see how it would turn out, even more so after seeing The Aggression Scale and loving it. And once the trailer dropped not too long ago, I was really on board for it. So, now it's time for me to give my thoughts on Silent Night, 2012!

This is definitely its own film. Matter of fact, the only similarities are Christmas time and a dude in a Santa suit going around slayin' (or sleighin') motherfucks for doing things he deems naughty. Silent Night is a completely different story with different characters, but with several nods to the original (and even a nod to SNDN II!). That to me is a fine way to do a reboot, as long as it's entertaining. Well, the writing is pretty by the numbers and the acting ranges from underwhelming to over-the-top. Maybe it's crazy, but that's exactly what I was hoping for. I just wanted a bloody fun slasher film with humorous and cheesed out characters. In those respects, Silent Night worked.

Visually, this movie is great. That came expected being that Miller wowed the hell out of me with The Aggression Scale, and the cinematographer (Joseph White) worked on the Mother's Day reboot, which was fucking gorgeous. Silent Night is full of great shots; one in particular follows Jaime King's character from her police vehicle through the main street of town, then pans around to the front of her all in one shot. I love shit like that. And the third act makes fantastic use of colored lighting, which strongly brings in the holiday atmosphere for the film.

As for performances- Malcolm McDowell serves up a big ol' plate of yuletide ham as the town sheriff, which I guess that could be a blessing or a curse, depending on what type of fan you are. I personally love McDowell when he goes off the fucking deep end, and there's many instances of that in Silent Night. Jaime King plays it pretty straight as the film's main protagonist, and she comes off quite slick in the badass department. Plus, she's cute as a doll. Donal Logue provides some comic relief as one asshole of a Santa Claus, and Andrew Cecon is a good jokester in the role of Deputy Giles. Ellen Wong from Scott Pilgrim is looking crazy hot as the police receptionist. Also, Mike O'Brien (Just Friends), Lisa Marie (Ed Wood) and Brendan Fehr (Roswell) round out some secondary roles. As mentioned earlier, some of the acting is over-the-top and some is just kinda bad, but it's all in good fun.

Silent Night KILLS in the SFX department. There's some great deaths, and MOST of them appear all practical. Even one kill that is more implied than shown has quite an impact to it. But as far as bloodletting, the flick starts out strong and keeps it going for a good bit. I have two favorites- first one takes place in broad daylight, and when you see the film I imagine that you'll easily guess the second. ***mild spoiler→As for visual FX, I honestly didn't notice a whole lot, but there is one shot of a girl dropping out of a window and it looks BAD. At least she's topless and in slo-mo.←end spoiler****

Kevin Riepl provides the music score. I absolutely fell in love with what he did on The Aggression Scale. To be honest, I was listening to that shit daily for a while. His music for Silent Night is great, and it captures a good Christmasy feel as well as intensity. There are a few instances where I think the score almost sounds too full and epic for the scenes it's paralleling, but I can't hold it at fault for that. It's definitely well written, as far as I'm concerned.

During the third act I feel like the movie tones down a bit in terms of excitement. It just comes off a little pedestrian. I was actually pretty sad, because this occurs right at the time that epic use of colored lighting I mentioned kicks in. Oh well, sometimes you just can't have your cake and eat it, too.

Final thoughts:

Aside from a few gripes, I was pretty entertained with Silent Night, and that's all I asked. I'm not totally sure how well it will hold up on multiple viewings, though. I watched it three times in the past week, and by the third viewing I feel like it wore out its welcome. It could be argued that no movie should be watched multiple times in a week's span, but there are plenty that I can watch the unholy fuck out of. That being said, it'll more than likely be viewed again around this time next year. Good party film.